I Return 

My first lesson back didn’t go quite as planned, but ended up being just what I needed. I received a call from the studio after I was already in the Big City (2 hour train ride each direction). They had to send Main Teach to the doctor for suspected pink eye. They gave me the option to reschedule, but I was already in the area, so I took option number two, a lesson with one of the new instructors. There were three instructions free and willing to teach on standby. Who could pass that up? So off I went to meet Mr. R. Mr. R was a manager at another studio in the franchise and has now come to the Land of Endless Perky Bottoms. Since we’ve never danced together and he’s never seen me dance before, it was a typical review lesson with a few nuggets of input.

Since my limited funds only allow one private lesson a week, I learn only American Style, plus Quickstep. Rumba, Foxtrot, and Waltz were just review. I received positive feedback on my hip motion and frame. Tango he got me up to speed with a few more steps. That was encouraging.  He thought that despite my roughness I was ready for a Fan upgrade. Then we reviewed Viennese Waltz because I love it. By this time I was sweating profusely with cheeks the color of lobster. My stamina is in the toilet. I requested some Cha Cha, just to see how it would go. Heck, I’d already sweat through all my clothes and looked like a crazy, drunk Irish girl. Why not? Obviously, I was feeling pretty good with Mr. R, or I wouldn’t have asked. It went well. We got yelled at by lady manager for too much footwork on my first day back, which made me feel like a rebel. Me, a rebel. I love that feeling! We worked quite a bit on Argentine tango since I hadn’t danced it in a while prior to my injury. I tend to forget how much focus following takes during Argentine Tango. Mr. R didn’t lead anything crazy, but it takes so much brainwork. My nuggets of information came during this section on the lesson. He reminded me to stay chest to chest, not to the side like in smooth. This is so much more intimate, which is probably why I need to focus on it. He had me keep my knees together as much as possible and to follow first with my chest and then work my way down to my feet last. Interesting stuff to ponder. We ended with a bit more rumba. He threw some steps and combinations at me that I was unfamiliar with. When I mentioned to him that I had never encountered these particular figures, he told me knew that, but that he likes to see whether people are figure learners or dancers. I classified as the latter because I followed correctly even though I was unsure. Just the boost I needed and another thing to think about.
Maybe next week I’ll finally have a lesson with Teach #1. I miss him. First dance teachers always hold a special place in your heart.
Later in the week, at Studio #2, I made my song and dance selections for my first-ever showcase! Because I’m nuts, I chose to do a Quickstep to Dr. Wanna Do sung by Caro Emerald. The process of choreographing is interesting. Kind of frustrating for the student who is confused as heck as things change minute to minute. It’s going to be very cutesy, which is just my style.

There was a point where my insecurities made an appearance. Lifts. It was necessary to have “the talk” with Teach #2. There’s one brief moment where I have to give him part of my weight. He grabs my leg bends me backwards. I’m a heavy gal. Even when I’m not overweight, I’m a solid armful of woman. I have a fear of maiming someone with that lifting nonsense. Logically, I know men are strong, and that he wouldn’t put it into the routine if he couldn’t do it, but there’s an emotional aspect to this that screams, “Nooooooooooo”!!! So this brief lean is going to make or break me right at the start. We’ll see what other things happen to this routine as things get moving. I’m slightly apprehensive because he’s going to win any argument. It’s the way it goes. Happy dancing!

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5 thoughts on “I Return 

  1. My tango routine has a part where Z leans into me and I’m supposed to support her. I lived in fear of dropping her but it hasn’t happened yet. Teachers know what you are capable of. The quickstep sounds like fun. Enjoy.

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    1. This applies a lot toward followers. We can get in our heads that we’re being led a certain figure, then that doesn’t happen and things go wrong. I don’t lead yet, so I wouldn’t dare to speak on that side of dance.

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      1. Leads can be good or bad, but dancers adjust … that is the female (who doesn’t know) does something that fits – and the male (after getting something unexpected) also keeps going.

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